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<p>My thoughts on the epilogue are similar to what has been expressed here, though my emotional reaction to it upon reading it was more mixed. Yes, yes, it’s not great literature to skip over the formative 20′s and imagine our 18 year old heroes to have all settled down with each other and reproduce, and send their offspring to their alma matter. I would have been happy had the book ended without bringing us to the happy ever after future, and allowed us to imagine the possibilities. At the same time,<a href=" " target="_blank">jordans for cheap< a>, there was something so emotionally satisfying (childish and unrealistic,<a href=" " target="_blank">< a>,I know) about order being restored in the aftermath of the war to save civilization.<br  > Which made me wonder, whether such such things as rapidly and securely ensconcing oneself in heterosexual monogamy with high school sweethearts might be seen as something of a normal response to seeing your friends and loved ones drop like flies,<a href=" " target="_blank">air jordan shoes real< a>, fighting the bad guys, and successfully restoring the institutions that protected our heroes for the first years of their happy little lives.<br  > And for the record, I’d be willing to bet that Neville and Luna were permitted to experience all kinds of liminality (separately, of course) outside of dyadic coupling in lifelong monogamy.< p> By: anon1972 I couldn't agree more about the ending of Harry Potter. Was it really necessary, not only to seal all the characters in heterosexual matrimony with their childhood sweethearts -- suggesting that the wizarding community is suffocatingly narrow, isolated, and incestuous -- but to abuse narrative time by &quot;fast-forwarding&quot; a decade or two solely in order to do so? Having spent their teenage years in constant danger and war,<a href=" " target="_blank">cheap jordans online< a>, the characters are then robbed of their youth and any opportunity to sow the wild oats they've saved up, all in the name of foreclosing any narrative possibilities that might take them to anyplace (or anyone) not already encountered in the story of their teenage years. It's implausible, stifling, and sad. Thank goodness for fanfic, which happily goes on supplying the rich alternative possibilities JKR felt impelled to foreclose (in fairness, possibly at the urging of an editor) in her stultifying epilogue. <ul>
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Latest revision as of 12:53, 15 September 2017

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