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| + | Spin-offs, reboots, and franchises are increasingly the rage in a crowded TV and film landscape where storytellers are finding it nearly impossible to get original content off the ground. In the tradition of prestige cable spin-offs like Fear the Walking Dead and Better Call Saul, Kurt Sutter and FX are looking to recapture the lighting in the bottle that was Sons of Anarchy. The new series—which was announced as only a possibility when Kurt Sutter was still trying to get his new show, Bastard Executioner,cheap jordans free shipping, off the ground—is now a full-fledged reality and some interesting choices are being made behind the camera. With Sutter himself pulling the plug on Bastard, he is now free to turn his entire attention to the Sons of Anarchy spin-off, Mayans MC, that will focus on the Mayans—the Latino motorcycle club that was the sometime ally, sometime enemy of Jax Teller (Charlie Hunnam) and SAMCRO. Though Sutter is keeping mum on the time period of the show, there is potential for Jimmy Smits’s character, Nero Padilla, to play a role. Padilla founded another Latino gang, the Byz Lats, and was a wary ally of the Mayans in Season 6 of Sons of Anarchy. But truth be told, as great as Nero was,cheap jordans, he’s probably best left riding off into the sunset with Wendy and the Teller boys. But as Variety reports, the most interesting move on the new series is actually happening behind the camera. Kurt Sutter has hired Elgin James to be his co-creator on the show. James will write the pilot that is being pitched as a “dark, visceral family drama that takes a new look at the most American of icons, the 1% outlaw, this time reflected through a Latino lens.” Sutter says he brought James on board because he “wanted to find a strong, unique Latino voice. I didn’t think a white guy from Jersey should be writing about Latin culture and traditions. Elgin is that voice.” The seventh and final season of Sons of Anarchy proved to be a ratings bonanza for FX with a whopping 9.26 million total viewers tuning in<br>a bee flew into the picture and got stuck. To seal the collage, Yellin poured resin over it, submerging the insect. The dead bee, preserved gloriously intact for eternity, as if in amber, redirected Yellin’s visual language from that turn-of-the-21st-century moment forward. Yellin and Durazzo figured out that they could permanently embed objects—dead frogs, spaghetti—in a transparent block by placing them in a wooden box and pouring resin over them. After the resin dried, hardened, and was polished with sandpaper, the objects would appear to be miraculously suspended inside a see-through matrix. Yellin then pushed the process one step further by forgoing the implanting of actual things. Instead, exchanging the wooden containers for Pyrex baking dishes, he delicately drew with India ink or Wite-Out on successive poured and dried layers of resin. The resulting transparent box created the tomographic optical illusion that a fantastical, three-dimensional life-form had been trapped within it. Yellin had invented a new way of making “drawings in space,” he says, suggesting “dendrites, molecular structures, imaginary species.” Durazzo states, “All of a sudden people wanted to buy them. Artists like Donald Baechler asked Dustin to do trades.” The exterior of Pioneer Works. Photograph by Jonathan Becker. Yet all had not been well in Yellin’s bohemian paradise. In 1999, following a period when the denizens of Yellin’s downtown salon had been reading “a lot of Fitzgerald,” as one friend recalls,cheap jordan shoes, and Yellin had maybe ingested too many substances, the artist embarked upon a quixotic mission to rescue Zelda, who he was convinced was incarcerated, Rapunzel-like,jordans for cheap, in Central Park’s Belvedere Castle. After repeatedly beseeching security guards, Yellin was arrested for trespassing and was locked up in the psych ward of Roosevelt hospital. “They even took my shoelaces,” he says. Jackie,cheap real jordans, who flew in to get him released, says, “Dustin didn’t want to leave the hospital. He still thought he<ul> | ||
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