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== gd cheap jordans bvc 966 ==
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We’re awash in images: in ads,<a href=" " target="_blank">cheap jordan shoes< a>, commercials,<a href=" " target="_blank">cheap jordans< a>, and emails,<a href=" " target="_blank">cheap real jordans< a>, on billboards and all over the Internet. Most of the commercial images we see – up to 70 percent, by one estimate – are stock photos. Stock photos are big business. Sooner or later, almost everyone needs a picture of a sunset,<a href=" " target="_blank">cheap jordan shoes< a>, a beach, a baby or a business meeting. They get one from a service like Getty Images or Corbis and pay a fee. It’s easier and cheaper than hiring a photographer. Stock photos are so ubiquitous that it’s no wonder artists have used them as inspiration and materials. A new exhibition opening Saturday at the Walker, “Ordinary Pictures,” features works by 45 artists spanning 50 years of playing with and around stock photos and commercial photography. Two years in the making,<a href=" " target="_blank">cheap jordans online< a>, the show was curated by Eric Crosby, the Walker’s former associate curator of visual arts who was hired away last August by the Carnegie Museum in Pittsburgh. Crosby,<a href=" " target="_blank">cheap jordans online< a>, who also created the exhibition catalog, returned to Minneapolis for the installation and opening. On Thursday, he led a group through the galleries, pointing out some highlights. “Ordinary Pictures” is a conceptual show full of provocative ideas. Crosby considers Louise Lawlor’s “Portrait” – a parrot against a red background – a key work. We see its head in profile, one eye staring. Red backgrounds are often used in commercial photography. The parrot’s eye suggests the camera’s eye. Parrots are copycats; they can mimic the human voice. Is photography just mimicry? Amanda<ul>
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