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There comes a point in &quot;The Handmaiden,&quot; a tantalizing triple-decker entertainment from South Korean director Park Chan-wook, when a book of lurid Japanese erotica opens up to reveal a drawing of an octopus wrapping its tentacles around a woman's nude body. Consider this your trigger warning,, in light of recent election-season headlines,cheap real jordans, though Asian cinema aficionados will rightly interpret this image, plus a later shot of a giant octopus in a tank,cheap jordans for sale, as sly references to Park's most famous movie, &quot;Oldboy&quot; (2004),air jordans for cheap, in which the actor Choi Min-sik famously gobbled down a live cephalopod on camera. MOST READ ENTERTAINMENT NEWS THIS HOUR That scene was a nutty, showboating gesture in a movie with an abundance of outr&eacute; gore and flashy style, if not much more on its mind than a desire to hammer its audience into submission. On that score, it more than succeeded. &quot;The Handmaiden&quot; is an unexpected delight. Without sacrificing his taste for psychosexual perversity or his flair for violent grace notes, Park has given us a teasingly witty and elegant puzzle-box of a thriller whose pleasures are rooted not in visceral shock but in narrative surprise, and which wisely opts to seduce rather than pulverize its audience. The result is the director's most absorbing feature in years and perhaps his finest since &quot;Joint Security Area&quot; (2000),cheap jordans, a tense, human-scaled action movie that plays out within the moral minefield of Korea's Demilitarized Zone. Set during the 1930s,cheap jordans free shipping, two decades before the historic demarcation of North and South, &quot;The Handmaiden&quot; straddles no less contested territory — specifically the politically fraught, linguistically complicated arena of Japanese-occupied Korea. Park and Chung Seo-kyung's screenplay unfurls in three<ul>
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